Filmmaking in a Box: Indie Feature Film Masterclass

BY
Udemy

Mode

Online

Fees

₹ 499 2499

Quick Facts

particular details
Medium of instructions English
Mode of learning Self study
Mode of Delivery Video and Text Based

Course and certificate fees

Fees information
₹ 499  ₹2,499
certificate availability

Yes

certificate providing authority

Udemy

The syllabus

Pre-Production : Development and Gearing Up

  • The Script
  • The Budget
  • Why This Film, This Way?
  • Contracts
  • Getting the Deal
  • Creating a Schedule

Pre-Production : Casting an Indie Film

  • Using Non Union Actors
  • Working with a Cast Director
  • The Casting Process
  • Casting Lead Role #1- Melissa
  • Casting Lead Role #1- Original Audition
  • Casting Lead Role #2- Anna
  • Casting Lead Role #2- Original Audition
  • What are Chemistry Callbacks?
  • Chemistry Callbacks- Melissa and Anna
  • Casting Lead Role #3- Todd
  • Casting Lead Role #3- Original Audition
  • Final Chemistry Read
  • Chemistry Read- Todd, Mellisa and Anna
  • Casting Supporting Roles- Jim
  • Casting Supporting Roles- Original Audition
  • Casting Additional Roles

Pre-Production : Rehearsals and Tables reads

  • The Table Read
  • Rehearsal - Character Study
  • Rehearsal - 1st Improv
  • Rehearsal - 2nd Improv

Production : Planning and Logistics

  • Production Meeting
  • Day One : Production Moves
  • Day One : Camera and Lighting
  • What is a Walk Away Meal
  • Day One: Sound - Beveled Glass
  • Day One: Sound - 7-Eleven Store
  • Adjusting Call Times & Background Make-up
  • Camera Department - DIT Workspace
  • Start Times and Turn Around
  • When to Serve Your First Meal
  • Sound on the Shotmaker
  • Driving and Ambient Lighting
  • Shooting Guerrilla Style (Totally Illegal)
  • Planning the Night Club
  • Production : Creature Comforts
  • Sound in Small Spaces
  • Dealing with Puke and Waredrobe
  • Planning the Big Party Night
  • Cash vs Checks
  • Creating a Visual Style
  • Dueling Cinematographers
  • Duel Camera Coverage
  • Recording Great Production Sound
  • Working with the Script Supervisor
  • Wardrobe
  • Locations
  • Permits

Production - Day 1

  • Day 1 - Location
  • Day 1 - Lighting
  • Day 1 - Sound
  • Day 1 - Production Diary

Production - Day 2

  • Day 2 - Location
  • Day 2 - Lighting
  • Day 2 - Sound
  • Day 2 - Production Diary

Production - Day 3

  • Day 3 - Location
  • Day 3 - Lighting
  • Day 3 - Sound
  • Day 3 - Production Diary

Production - Day 4 & 5

  • Day 4 & 5 - Lighting
  • Day 4 & 5 - Sound
  • Day 4 - Production
  • Day 4 - Camera
  • Day 5 - Production Diary

Production - Day 6

  • Day 6 - Locations
  • Day 6 - Lighting
  • Day 6 - Sound
  • Day 6 - Production Diary

Production - Day 7, 8, 9 & 10

  • Days 7, 8, 9 & 10 - Location
  • Days 7, 8, 9 & 10 - Lighting
  • Days 7, 8, 9 & 10 - Sound
  • Days 7, 8, 9 & 10 - Production Diary

Production - Day 11

  • Days 11 - Locations
  • Days 11 - Lighting
  • Days 11 - Sound
  • Days 11 - Production Diary

Post Production : Editing the Beast

  • Building the Credit Sequence
  • How to Find an Editor
  • The Editor's Audition
  • Editing - The Process
  • Editing - Organization
  • Editing - The Rough Cut
  • Editing - The Test Screening Version
  • Editing - Additional Shooting

Post Production : Sound and Music

  • Finding Music
  • Scoring Through Social Media
  • How to Approach the Artists
  • Music Contracts & Releases
  • Sound on a Limited Budget
  • Sound Editing
  • Sound - Dialog Editing
  • Sound - Music Editing
  • Sound - ADR
  • Sound - Foley
  • Sound - Pre-Mix
  • Sound - Final Mix

Watch the Movie

  • Two Million Stupid Women - Final Version

Bonus Materials

  • BONUS: What DO You Want to Learn Next?
  • Interview with the Writer of Two Million Stupid Women
  • WGA Writer's Strike
  • IFH Podcast: Why Are Filmmaker so F*ing Broke?
  • Understanding Light Quality Hard and Soft Light
  • What is Dynamic Range?
  • Introduction to HDSLR Cameras
  • How to Repair an Arri Fresnel

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